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Portrait ...
“There
was lightness and grandeur, seriousness and fun, powerful momentum and
meditative restraint. Tiberghien knew exactly what he wanted to say about
the music, and did so with a blend of boldness, reasoning and
inspiration.”
The Daily Telegraph
Cédric Tiberghien is one of the most exciting artists to emerge from
France in recent years. Highlights among future concerto engagements
include the Philharmoniker Hamburg, NDR Radiophilharmonie Hannover,
Gelders Orkest, Rotterdam Philharmonic, Liege Philharmonic, Iceland
Symphony, Sydney Symphony, Queensland Symphony, Adelaide Symphony, West
Australian Symphony, Auckland Philharmonia, Tokyo Symphony, Seoul
Philharmonic, Malaysian Philharmonic and Orchestre de Paris.
As a recitalist, highlights include Berlin (Bechstein Series), London
(Wigmore Hall, International Piano Series), Washington (Kennedy Centre),
Tokyo (Bunka Kaikan), Copenhagen (Mogens Dahl) and Paris (Chatelet,
Theatre des Champs-Elysees).
In 2011 he will be the guest of Musikkollegium Winterthur for a Bach
project where he will perform the complete Book II from the well-tempered
Klavier as well as two of bach’s keyboard concerti.
Cédric Tiberghien’s solo discography, on Harmonia Mundi, features a
concerto disc - Brahms’s Concerto No.1 with the BBC Symphony and Jiri
Belohlavek – and five recital discs: Debussy, Beethoven (Variations), Bach
(Partitas), Chopin and Brahms’s Ballades and most recently a disc with
Brahms’s 10 Hungarian Dances, Klaviertsucke Op.76 and Waltzes Op.39.
Cédric Tiberghien is also a dedicated chamber musician: over the 2009/10
season he will perform the complete cycle of Beethoven’s Violin Sonatas
with his duo partner Alina Ibragimova at London’s Wigmore Hall, at the
Jersey Arts Centre and during a residency at the Aldeburgh Festival. The
duo will also perform at Madrid’s Auditorio Nacional, Amsterdam’s
Concertgebouw, the Louvre Auditorium in Paris, the Bergen Festival and
during a major Musica Viva tour of Australia. Hyperion will release
shortly their recording of the complete works by Szymanowski for violin
and piano.
His other chamber music partners include Sophie Karthauser, Antoine
Tamestit, Bertrand Chamayou, Marie Hallynck, the Moraguès Quintet, Valérie
Aimard, Pierre Amoyal, the Psophos Quartet, the Ysaye Quartet, Alain
Planès, Nicholas Angelich, Marie Devellereau and Gweneth-Ann Jeffers. In
2009 he will also give a few chamber concerts in the UK and Poland on tour
with members of the Britten Sinfonia. His enthusiasm for the genre is
further illustrated by recordings with cellists Marie Hallynck (Schumann
and Grieg sonatas on Harmonia Mundi; Britten, Bacri, and Debussy sonatas
on Fuga Libera), Valérie Aimard (French repertoire on Lyrinx), and
violinists Amanda Favier (Janacek and Strauss on Lyrinx) and Vadim Tchijik
(Fauré and Ravel).
Cédric Tiberghien studied at the Paris Conservatoire with Frédéric Aguessy
and Gérard Frémy and was awarded the Premier Prix in 1992, aged just 17.
He was then a prizewinner at several major international piano
competitions (Bremen, Dublin, Tel Aviv, Geneva, Milan), culminating with
the 1st Prize at the prestigious Long-Thibaud Competition in Paris in
1998, alongside with five special awards, including the Audience Award and
the Orchestra Award. This propelled on his international career, leading
to over 150 engagements worldwide, including 7 visits to Japan and
showcase appearances throughout Europe.
Since then his career has continuously gained momentum, with appearances
in some of the world’s most prestigious halls, including London’s Wigmore
Hall, Barbican Hall and Royal Albert Hall, Vienna’s Musikverein,
Salzburg’s Mozarteum, Amsterdam’s Concertgebouw, Tokyo’s Suntory Hall,
Sydney’s City Hall, as well as the Salle Pleyel, Théâtre du Chatelet and
Theatre des Champs Elysées in Paris. He has also taken part in many
international festivals: Edinburgh, City of London, BBC Proms, Lockenhaus,
Klavier Festival Ruhr, Yokohama Festival, La Roque d’Anthéron, Toulouse
Piano aux Jacobins among others.
With over 50 concertos in his repertoire, Cédric Tiberghien has appeared
with an impressive line-up of international orchestras, including the BBC
Symphony, Halle Orchestra, Sydney Symphony, Budapest Festival Orchestra,
Tokyo Philarmonic Orchestra, New Japan Philharmonic, Gelders Orkest,
Stuttgart Staatsorchester, Hamburger Philharmoniker, Orchestre de la
Suisse Romande, and in France the Philharmonique de Radio-France,
Orchestre de Paris, Orchestre National de France. His conductor
collaborations include Simone Young, Jiri Belohlavek, Myung-Whun Chung,
Christoph Eschenbach, Kurt Masur, Ivan Fischer, Leif Segerstam, Louis
Langrée, Yutaka Sado, and Jerzy Semkow among many others.
January 2009
(PLEASE CHECK WHETHER A MORE RECENT VERSION OF THIS BIOIS AVAILABLE BEFORE
PRINTING)
Video of Ballade opus 10 n°1 by Brahms
Video of Ballade opus 23 n°1 by Chopin
(VPRO TV, Netherlands, 2007)
Discover his personal website
Discography ...
DOHNANYI, KODALY, BARTOK - "Budapest 1900"
Sonatas for piano & cello
with Valérie Aimard (Lyrinx 2009)
BRAHMS - Hungarian Dances; Walzes Op.39; Klavierstucke op.76
Harmonia Mundi HMC 902015 (2008)
MARTINU - Concerto for violin & orchestra n°2 - Serenada n°2 -
Toccata et due canzoni
Isabelle Faust, violin - The Prague Philharmonia, Jiøí Bìlohlávek
Harmonia Mundi (2008)
BRAHMS - Concerto for piano n°1 - Variations on a theme by Haydn
BBC Symphony Orchestra, dir. Jiří Bělohlávek
Harmonia Mundi
BRAHMS - Ballades, opus 10
CHOPIN - Ballades N°1-4
Harmonia Mundi (October 2006)
BACH - Partitas n° 2, 3 and 4
- Harmonia Mundi
DEBUSSY
– Estampes, Images,
Masques,
D’un cahier d’esquisses,
L’Isle joyeuse
.
Harmonia
Mundi
n°911717
(2001)
JANACEK
- Sonata for violin & piano, Romance, Dumka, Allegro
for violin & piano
STRAUSS
- Sonata for violin & piano
With
Amanda FAVIER, violin - Lyrinx
n°199 (2001)
DEBUSSY,
HONEGGER, CHAUSSON,
VIERNE
-
French music for cello and piano
With Valerie AIMARD, cello -
Lyrinx
(2002)
SCHUMANN
- Pieces for piano and cello
GRIEG - Sonata for piano and cello opus 36
With Marie HALLYNCK - Harmonia
Mundi n°911779 (2002)
BEETHOVEN
- Variations, opus 34,
opus 35 ("Eroica") and opus 76 WOo 77 à 80
Harmonia
Mundi n°901775 (2003)
FAURE, RAVEL
- Sonatas for violin and piano
With Vadim TCHIJIK - Lyrinx - To be
released in 2003.
Find all his CDs on
Amazon
Concerts
...
2009
March 2009
02.09 – Swansea, UK
BRAHMS Klavierstücke op.76
LISZT La Vallée d'Obermann (from Années de Pélérinage, book 1)
(interval)
BARTOK 3 Songs from the District of Csík (Sz.35a - BB.45b)
6 Bulgarian Danses (from Mikrokosmos vol.VI, Sz.107)
6 Danses Populaires Roumaines (Sz.56)
BRAHMS 10 Hungarian Dances (original version for solo piano)
08.03 - Theatre du Chatelet, Paris, France
Solo recital :
BRAHMS Klavierstücke op.76
BARTOK 6 Danses Populaires Roumaines (Sz.56)
3 Chants Populaires du Comté de Csík (Sz.35a - BB.45b)
BRAHMS 10 Hungarian Danses (version originale pour piano seul)
15-16.03 – Hamburg, Germany
Hamburger Philharmoniker / Simone Young
Messiaen: Couleurs de la Cite Celeste
23-29.03 – Brisbane, Australia
Queensland Symphony Orchestra
Ravel Concerto in G
April 2009
1-5.04 – Auckland, New Zealand
Auckland Philharmonia
Ravel Concerto in G
03.04 – Auckland, New Zealand
Solo recital
BRAHMS Klavierstücke op.76
LISZT La Vallée d'Obermann (from Années de Pélérinage, book 1)
(interval)
BARTOK 3 Songs from the District of Csík (Sz.35a - BB.45b)
6 Bulgarian Danses (from Mikrokosmos vol.VI, Sz.107)
6 Danses Populaires Roumaines (Sz.56)
BRAHMS 10 Hungarian Dances (original version for solo piano)
11-12.04 – Kuala Lumpur, Malaysia
Malaysian Philharmonic / Kees Bakels
Haydn Concerto in D
24.04 – Reikjavik, Iceland
Iceland Symphony / Rumon Gamba
Shostakovich Concerto No.1
May 2009
14.05 – Jersey Arts centre, UK
Duo recital with Alina Ibragimova (violin)
Schubert: Sonatina No.3 in G minor D408
Beethoven: Violin Sonata No.7 in C minor Op.30/2
- interval -
Szymanowski: Myths Op.30
Grieg: Violin Sonata No.3 in C minor Op.45
17.05 – Theatre Français de la Musique, Compiègne, France
Solo recital
BRAHMS Klavierstücke op.76
BARTOK Out of Doors Suite (Sz.81 - BB.89):
(interval)
BARTOK 3 Songs from the District of Csík (Sz.35a - BB.45b)
6 Bulgarian Danses (from Mikrokosmos vol.VI, Sz.107)
6 Danses Populaires Roumaines (Sz.56)
BRAHMS 10 Hungarian Dances
22.05 – Bergen Festival, Norway
Duo recital with Alina Ibragimova
Beethoven: Violin Sonata No.7 in C minor Op.30/2
- interval -
Szymanowski: Myths Op.30
Grieg: Violin Sonata No.3 in C minor Op.45
29-30.05 – Nice, France
Nice Philharmonic / Marco Guidarini
Tchaikovsky Concerto No.1
June 2009
09.06 – Clermont-Ferrand, France
10-06 – Le Puy, France
Orchestre d’Auvergne / Arie van Beek
Beethoven Concerto No.4
13.06 – Appeldoorn, Netherlands
14.06 – Arnhem, Netherlands
Gelders orkest / Dmitri Jurowski
Ravel Concerto in G
20.06 – Kawasaki, Japan
Tokyo Symphony Orchestra
Prokofiev Concerto No.2
25.06 – Yokohama, Japan
Solo recital
Chopin 4 Ballades
(interval)
Chopin Sonata No.2
Chopin Scherzo No.2
27.06 – Tokyo (Bunka Kaikan Hall), Japan
Solo recital :
BRAHMS Klavierstücke op.76
BARTOK Out of Doors Suite (Sz.81 - BB.89):
(interval)
BARTOK 3 Songs from the District of Csík (Sz.35a - BB.45b)
6 Bulgarian Danses (from Mikrokosmos vol.VI, Sz.107)
6 Danses Populaires Roumaines (Sz.56)
BRAHMS 10 Hungarian Dances (original version for solo piano)
July 2009
04.07 – St Hubert, Belgium (Wallonie Festival)
Liege Philharmonic / Pascal Rophé
Franck: Variations Symphoniques, Les Djinns
17-18.07 - Festival de la Dame des Aulnes, Biarritz, France
Solo recital ; Chamber concert with Moraguès Quintet
31.07+01.08 – Perth, Australia
West Australian Symphony Orchestra / Simone Young
Prokofiev: Concerto No.2
August 2009
5-7.08 – Sydney, Australia
Sydney Symphony Orchestra / Simone Young
Bartok Concerto No.2
14-15.08 – Adelaide, Australia
Adelaide Symphony Orchestra / Kirill Karabits
Prokofiev Concerto No.2
Septembre 2009
05.09 – Enescu Festival, Bucarest, Romania
Duo recital with Marie Hallynck, cello
Debussy Sonata
Britten Sonata
Enescu Sonata n°2
13.09 – Festival des Serres d’Auteuil, Paris
Duo recital (with Betrand Chamayou, piano)
Repertoire t.b.d.
21.09 – Wigmore Hall, London, UK
Solo recital
Ravel Gaspard de la Nuit
Deodat de Severac Les Mulletiers devant le Christ de Llivua
Debussy Masques
D'un Cahier d'Esquisses
L'Isle Joyeuse
24.09 – Great Mlavern, UK
Solo recital
Chopin Four Ballades
---
Ravel Gaspard de la Nuit
Debussy Masques
D'un Cahier d'Esquisses
L'Isle Joyeuse
26.09 – Kennedy Centre, Washington DC, USA
Solo recital
Chopin Four Ballades
---
Ravel Gaspard de la Nuit
Debussy Masques
D'un Cahier d'Esquisses
L'Isle Joyeuse
October 2009
3-4.10 – Snape Maltings. Aldeburgh, UK
Beethoven: Complete Violin Sonatas
(with Alina Ibragimova)
22.10 – Jersey, UK
Beethoven Violin Sonata Cycle – concert 1 (with Alina Ibragimova)
Beethoven: Violin Sonata No.1 in D major, Op.12/1 (1798)
Beethoven: Violin Sonata No.4 in A minor, Op.23 (1801)
- interval -
Beethoven: Violin Sonata No.8 in G major, Op.30/3 (1803)
Beethoven: Violin Sonata No.7 in C minor, Op.30/2 (1803)
23.10 – Abbotsholme Arts Society, Derbushire, UK
Beethoven Violin Sonata Cycle – concert 1 (with Alina Ibragimova)
Beethoven: Violin Sonata No.1 in D major, Op.12/1 (1798)
Beethoven: Violin Sonata No.4 in A minor, Op.23 (1801)
- interval -
Beethoven: Violin Sonata No.8 in G major, Op.30/3 (1803)
Beethoven: Violin Sonata No.7 in C minor, Op.30/2 (1803)
24.10 – Osxshott & Cobham Music Society, UK
Beethoven Violin Sonata Cycle – concert 1 (with Alina Ibragimova)
Beethoven: Violin Sonata No.1 in D major, Op.12/1 (1798)
Beethoven: Violin Sonata No.4 in A minor, Op.23 (1801)
- interval -
Beethoven: Violin Sonata No.8 in G major, Op.30/3 (1803)
Beethoven: Violin Sonata No.7 in C minor, Op.30/2 (1803)
27.10 - Wigmore Hall, London, UK
Beethoven Violin Sonata Cycle – concert 1 (with Alina Ibragimova)
Beethoven: Violin Sonata No.1 in D major, Op.12/1 (1798)
Beethoven: Violin Sonata No.4 in A minor, Op.23 (1801)
- interval -
Beethoven: Violin Sonata No.8 in G major, Op.30/3 (1803)
Beethoven: Violin Sonata No.7 in C minor, Op.30/2 (1803)
November 2009
06.11 – Berlin (Bechstein Series), Germany
Solo recital – repertoire t.b.c.
10.11 – Copenhagen (Mogens Dahl Hall), Denmark
Solo recital
Chopin Sonata No.2
Deodat de Severac Les Mulletiers devant le Christ de Llivia
Chopin Scherzo No.2, Op.31
-----
Chopin Four Ballades
Media ...
"At the Wigmore the next day, another French pianist, Cédric
Tiberghien, gave us something at the opposite end of the scale -
fleeting, soft-grained and mercurial. He glided on to the stage like
a blond wraith, and as he played all four Chopin Ballades one after
another, his hands seem to glance off the keyboard. The sounds that
emerged were often bewitchingly soft and caressing, the passionate
moments fiery rather than weighty. This is very close to what we
know about Chopin's own playing, and it's a style perfectly suited
to the imaginary narratives of these Ballades, which switch
constantly back-and-forth between the soft "once-upon-a-time" mode
of the balladeer and the fevered drama of the story lived from the
inside. Sometimes Chopin renders this as a sudden, electrifying
contrast, as in the Ballade No 2. How well Tiberghien caught the
gentle, musing melancholy of the opening, and how the silence before
the ensuing storm seemed to press on our eardrums! When the storm
finally broke, it had a marvellous quality of being both a paroxysm
of despair and slightly distant, almost muffled. It was as if the
balladeer was still there, reminding us that it was all a long time
ago - and perhaps nothing more than a dream anyway."
Ivan Hewett, Daily Telegraph, 20 February 2008
“Mmmm. That authentic murmur of delight rose from the audience’s lips as Elgar’s Violin Sonata came to rest… Alina Ibragimova and Cédric Tiberghien’s playing was joyfully fresh and dynamic, free from misconceptions… The performance conjured that murmur, too, because of the pair’s wonderful rapport… Both of these players have the potential to conquer the world… Tiberghien is a strong, incisive, intelligent player, but he never overbalances the mix, and watches like a hawk: qualities that also made his two-piano turn with Andrew West in Rachmaninov’s Symphonic Dances so compelling.”
Geoff Brown, The Times, 17 July 2007
Cheltenham Festival: Elgar Violin Sonata, Ravel Tzigane, Rachmaninov
Symphonic Dances (2 pianos), 14 July 07
“A wonderfully spirited performance. [Tiberghien and the Hong Kong Sinfonietta] caught the emotional spectrum of the central set of variations. …Tiberghien’s bravura drove the music to an impressive conculsion.”
Sam Olluver, South China Morning Post, 29 May 2007
Prokofiev Concerto No.3, Hong Kong Sinfonietta / Wing-sie Yip, 25
May 2007
“For true musical excitement, we had to skip to Brahms’s first Piano Concerto and the exciting French pianist Cédric Tiberghien (…) His performance’s special joy was the youthful exuberance and drive: entirely fitting for a work of Brahms’s youth. Tiberghien also knows how to be rapt and tiptoed; the adagio shimmered with hushed, penetrating phrasing, only excelled in poetic clarity by his Bach encore.”
Geoff Brown, The Times, 28 March 2007
Brahms Concerto No.1, BBC Symphony / Jiri Belohlavek, Barbican
Centre 26th march 2007
“A beguiling performance of Saint Saens’s second piano concerto. The lyrical, virtuoso playing of soloist Cédric Tiberghien made this a treat.”
Paul Fulford, Birmingham Mail, 13 March 2007
Saint-Saens Concerto No.2, City of Birmingham Symphony Orch. /
Louis Langrée, Symphony Hall 10th March 07
“…the brilliant pianist Cédric Tiberghien put forth this insouciant, even bumptious concerto with a merry brio that ultimately won me over.”
Franck Cadenhead, Musical America, 4 December 2006
Shostakovich Concerto No.1, Orchestre de Paris / Rostropovich, Salle
Pleyel, 22 November 2006
“Not since Vladimir Ashkenazy’s classic 1964 set have Chopin’s Ballades sounded so emotionally rich and imposing as they do here…. There are not many players players equally successful in Chopin and Brahms, but Tiberghien bridges the stylistic chasm that separates these two composers as though it was the most natural thing in the world.”
Julian Haylock, Classic FM Magazine, November 2006
CD – Chopin, Brahms: Ballades – HMC 901943
“Tiberghien’s approach has all the requisite poetry, fire and colour, and in the taxing codas his playing is as thrilling as it is natural-sounding. …From all reports, this is how Chopin himself pplayed when he was on good form. …The piu lento sections of Chopin’s Fourth Ballade contain some of the most haunting painism I have heard in recent years. …an exceptional recording.”
Charles Timbrell, International Record Review, October 2006
CD – Chopin, Brahms: Ballades – HMC 901943
“The Brahms is throughly convincing, the murderous tale depicted in [Ballade] No.1 chillingly recreated, [Ballade] No.3 beutifully voiced with genuinely produced, hardly audible responses to Brahms’s ppp markings”.
Jeremy Nicholas, Gramophone,November 2006
CD – Chopin, Brahms: Ballades – HMC 901943
“These performances certainly captured [Schumann’s] emotional turmoil and extremes. One had to admire the immaculate tonal shadings of Tiberghien’s breathless pianissimos and the rigorous energy focussed on Schumann’s heightened outbursts.”
Kenneth Walton, The Scotsman, 18th August 2006
Edinburgh Festival - Schumann Recital, Queen’s Hall, 17 August 2006
“…a stylish account of Beethoven’s Concerto No.3, (…) which found a grace, poise and refinement that were wholly Gallic”
Michael Tumelty, The Glasgow Herald, 10 February 2006
Beethoven Concerto No.3, Glasgow City Hall, BBC Scottish Symphony / Bernhard Klee, 9 February 2006
“When a pianist devotes an entire recital to 24 preludes and fugues by Bach, you feel that he is making an emphatic statement not only about his own interpretative qualities but also about Bach as a signal point of reference for keyboard composers down through the ages. That was certainly the case in this compelling tour de force by the young French pianist Cédric Tiberghien. (…) Tiberghien plays with passion, seeking out the rich diversity of character that Bach explored in his keyboard writing, crystallising it and communicating it with intensity and subtlety. (…) Purist might baulk at Tiberghien’s romantic temperament in some of the slower preludes, but, far from being obstrusive, this was a further testament to the breadth of interpretative ideas that the music ignited in him. He could pit robust playing against hushed tranquility; he could point up lines of a complex fugue with the utmost clarity, but with a suppleness of phrasing that explored the expressiveness beneath the printed notes. There was lightness and grandeur, seriousness and fun, powerful momentum and meditative restraint. (…) Tibergien knew exactly what he wanted to say about the music, and did so with a blend of boldness, reasoning and inspiration.”
Geoffrey Norris, The Daily Telegraph, 4 November 2005
Recital, Wigmore Master Series (Bach Well-tempered Klavier Book II), 2 November 2005
“Making no apologies for using a modern Steinway, the young French pianist Cédric Tiberghien plays this music with the same gleaming, subtly coloured tone and clarity of texture he brought to his Harmonia Mundi Debussy recital. (…) the verve and strength of his rhythms, and his imaginatively “orchestrated” sonorities make the faster dances an untrammelled delight”
Richard Wigmore, The Daily Telegraph, 27 August 2005
CD Bach Partitas Nos 2,3 and 4 ( Harmonia Mundi HMC901869)
“By even the most stringent of critical criteria, Jeffers and Tiberghien gave us a recital to remember – and for all the right reasons. This was Tiberghien’s first festival appearance – and he came through with flying colours. His command of the piano is phenomenal, his ability to adapt to even the subtlest aspects of Jeffers’ vocal line a source of wonder. …Tiberghien played with all the authority and fluency one associates with Gieseking in his prime.”
Neville Cohn, Ozart Review
(Australia) - February 2004
Perth International Arts
Festival - Messiaen Songs of Love and Death
“Harmonia Mundi has once again found two outstanding young stars for its series “Les Nouveaux Musiciens” (…) Their sympathetic mutual feeling for this repertoire is completely winning. (…) Hallynck and Tiberghien both pocess sparkling technique, but their skill lies in using only that which is necessary to capture the spirit of each piece. (…). Tiberghien’s sensitivity to the orchestral qualities of the keyboard writing is superbly matched by Hallynck’s impressive tonal and dynamic range… …quite irresistible.”
The Daily Telegraph, 3 August 2002
CD Schumann and Greig sonatas for violin and piano, with Marie Hallynck (HMN911779)
“This is a remarkable debut disc by a 25-year-old pianist, who won the 1999 Long-Thibaud Competition. …Tiberghien has a deep sense of calm, as if he is considering the music at a slight distance. Yet, he is also a sensuous player, and Jardins sous la Pluie and Poissons d'Or are thrilling for their brilliant articulation and gleaming sound quality [and] Tiberghien's disc includes an outstandingly wise performance of L'Isle Joyeuse”
BBC Music Magazine
- 2001
CD
Debussy - Estampes, Images, etc. (Harmonia Mundi HMN911717)
“Tiberghien is outstanding at conveying
Debussy’s timeless, trance-like states, …and he is haunting rather than
lucid and crystalline (a common failing) in Pagodes. And if he
finds it easier to relish Debussy’s shadows rather than his sunlight, (…)
he can whip up a powerful storm in the central tumult of Reflets dans
l’Eau and reel off Masques with a suitably extrovert brio, so
that whether you see it as ‘a riot of Italian comedy’ (Cortot) or ‘the
tragedy of experience’ (Debussy) the enigma remains. ... Poissons d’Or
is magically evocative and alive with details that normally escape less
sensitive pianists.”
Gramophone
- January 2001
CD
Debussy - Estampes, Images, etc. (Harmonia Mundi HMN911717)
Contact
... 
Worldwide General Management
Askonas Holt Ltd
Lonsdale Chambers
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London WC2A 1PF
United Kingdom
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tel: +49 221 28 25 185
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Spain
MC Performing Arts
Barcelona
Contact: Mr Robert Martínez Casas
robert@mcperformingarts.com
Phone & Fax: (0034) 93 476 42 55 / (0034) 96 145 18 81
Japan
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Tokyo 104-0043
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Division)
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